On “The Memex Method”

Sketch for a comic I may never make.

Sketch for a comic I may never make.

I’ve been a reader of Cory Doctorow’s Pluralistic for about a year now. It’s one of my favorite blogs, covering a myriad of topics that range from DRM on refrigerators to Qanon Gamification and Vaccine Passports. I like to think of it as a daily dive into how strangely science-fiction our present day society has become.

Doctorow writes thoroughly and thoughtfully about every topic he tackles and he’s quite generous with links. Oftentimes a single blog post turns into an inter-textual reading extravaganza for me, akin to Wikipedia-surfing. I’m quite amazed at how he manages to do this daily (on top of all his other commitments—he’s published several books and graphic novels.) I’ve often wondered how it’s even possible.

Well, I just discovered an article called “The Memex Method” (looks like it was published just last week) where Doctorow lays out the hows and whys of his blogging habit and discusses its various advantages.

“Peter “peterme” Merholz coined the term “blog” as a playful contraction of “web-log” — like a ship’s log in which hardy adventurers upon the chaotic virtual seas could record their journeys…

Like those family trip-logs, a web-log serves as more than an aide-memoire, a record that can be consulted at a later date. The very act of recording your actions and impressions is itself powerfully mnemonic, fixing the moment more durably in your memory so that it’s easier to recall in future, even if you never consult your notes.

The genius of the blog was not in the note-taking, it was in the publishing. The act of making your log-file public requires a rigor that keeping personal notes does not. Writing for a notional audience — particularly an audience of strangers — demands a comprehensive account that I rarely muster when I’m taking notes for myself. I am much better at kidding myself my ability to interpret my notes at a later date than I am at convincing myself that anyone else will be able to make heads or tails of them.

Writing for an audience keeps me honest.”

The other bit that struck me was how he likened it to Vannevar Bush’s “Memex” thought experiment (from the 1945 article, “As We May Think”) which outlines “a machine that serves to organize its user’s thoughts and semi-automatically bring related ideas together to help the user synthesize disparate insights and facts into new, larger works.”

I probably shouldn’t quote so much from the article but it was such an inspiring read that I want to note it down for future reference. You can read the rest of it HERE.

I really like the philosophy behind this, where the act of blogging has value in and of itself, rather than as a stepping stone to “building a brand” or “finding an audience.” I don’t know. I like the thought of having more readers but chasing them down is like putting the cart before the horse, you know? I started this blog six months ago as a reaction to all that social media toxicity, and I’m rather enjoying the calm of having a public notebook that doesn’t have all those built-in infinity pool hooks. I often have a fog in my brain and I find that writing for the sake of writing clears it out.

Warren Ellis described blogging as “leaving traces”—just putting stuff out there as a side-effect of engaging with ideas. Publishing as a way of thinking out loud. I’m still quite scattered in this regard, bouncing between YouTube and Instagram and Twitter, but as I move forward I’m hoping I’ll find my groove.

Anyway, this is all feeding into my Monday morning as I launch into some aggressive planning for the next few months, figuring out how to parse my next big project and really putting some thought into where all my time and attention should be going. Wishing you all a lovely week. See you on the next trace.

Vignette: Make-believe

“There’s nothing strange about being strange,” the wisp said, something like love leaking out of its whispers for the first time since Chlnrdrs created her. “We’re at the apex of normalcy. We’re the centerpiece of a banquet. The universe has spots of sameness to hone its craft, but truly—truly—it tends towards variety.”

Chlnrdrs puzzled over the idea of craft. Like the universe, did he have to practice make-believing the same things, over and over?

“Of course,” said the wisp. “How will you know if you can do something, unless you actually do it again?”

Light streamed from his fingers as Chlnrdrs concentrated on an internal point of friction. It grew with the focus, inflated with thoughtstuff, until a gentle brilliance began to emanate. Spark, he thought, searching for that elusive twist which brought something to life. What was it he added last time? Was it a bit of darkness? He folded in a sheaf of shadow and smiled as glimmers turned to flame. Make, he said. Believe.

“Well, that wasn’t so hard, was it?” said the second wisp. “Now we can copulate and create more of ourselves and fill this universe with eternal light.”

Only nothing is eternal, said Chlnrdrs, but you may have this universe. If you need me, I’ll be over in the next one, working away at forever.

And so it was that the two wisps were left alone in the void, a pair of gleaming eyes in the night. “Before we fuck,” said the first, “what shall we call this place?”

“Heaven,” said the second, and they agreed. The rest is hearsay, or make-believe, but it’s there if you think about it.

ULTRAMEGATON

The clearest indicator of how much I like something is when I draw it. Here’s some love for James Harren and Dave Stewart’s “Ultramega”:

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It’s probably a bit much, but hey, that’s the spirit of the comic. When I was younger, every time I read a comic that I liked (which was almost every comic,) it made me want to draw. Over time, as my tastes matured, that happened less and less, becoming more concentrated on specific creators. In grade school, it was Joe Madureira and Chris Bachalo and Greg Capullo. In high school, it was Grant Morrison and Alan Moore and Neil Gaiman. These days, I get obsessed over a good mix of writers and artists, but nothing gets me super inspired quite like a good writer-artist.

Harren’s art has always been one of my favorites, but seeing him unleashed on a story of his own design is a revelation. This mad, brutal remix of campy tokosatsu action has a spark to it that is really special. You ever see someone out and about—someone you don’t know—and just from a superficial glance, you can tell they’re probably awesome? And then you meet and talk to them, and you realize they’re just as awesome as they projected? That’s how I feel when I look at this comic. It’s just COOL. And when you get past the superfice of the art and dig into the storytelling, it really holds up to scrutiny. This comic, man. It’s got that wild, fresh manga energy.

Hey, I’m gushing so much I made a short video about it. Here you go:

My hope is that one day, my work has the same effect that all these other artists have on me. Imagine making art that inspires other people to make art! Keeping the muse’s fire burning for the human race, passing it over lifetimes from heart to heart: that is the GOAL, my friends.

Pins and Needles

I had a medical emergency this past month, which necessitated a bunch of scary procedures like extraction, biopsy and bone graft. So between surgery and recovery, it's been a draining April of lying in bed and drinking bone broth, but I feel like the hard reset has done me some good. I spoiled myself with sleep, read a whole mess of comics and percolated on some projects.

Not a ton of creative output, but some really good input. Sometimes you need that--a period for just absorbing influences and letting them roll around in your brain stew. For those of you who, like me, often confuse productivity with self-worth, you'll know how rare and precious this time is. And how can I complain, when this just happened:

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Nothing I've done in the past few months has felt more important that this. It's a step in the right direction. It's a bid for herd immunity. I know, I know—no guarantees, final verdict still in beta, and there’s the specter of mutant strains looming on the horizon, but dammit, it feels good to have SOMETHING to fight back with. I've never tested positive for COVID-19, and I don't ever want to, much less be a carrier for it.

I can barely describe this relief I feel, knowing that my immune system now has some kind of antiviral response to the ‘rona. Well...it will in two weeks, after the dust has settled and my antibodies get smart.

So masks and social distancing and mindful hand-washing is still on the table. And honestly, these are habits I don't mind keeping around post-pandemic. They’re good for more than just the COVID, and I would love to keep wearing my gloriously stupid cow mask. 🐄

Anyway, at the risk of eulogizing the pandemic (because there's still WAY more to go before we can even think of putting a pin on all this,) here's a short comic I drew last year, in August 2020:

Four more months to go until my next birthday. Feels like it’s gonna be okay.

Sinta the Witchstalker

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This eight page comic was improvised over the span of seven days, using three random prompts I sourced from twitter (link). They were “fabulous witch,” ticking clock,” and “glitter.” I really enjoyed making this.

Layouts were done traditionally and the final pages were made using Procreate on the iPad. The whole process was a mad sprint to the finish line in the free spaces of time throughout my week, on the bus between work and school and late at night.

If you’re curious about the backstage madness, I made a vlog documenting the day-by-day creation of this story over on my YouTube channel, Comicbooker.

Needless to say, it was an absolute thrill to make this, and I’d love to do it again. Hope you like it!

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What I'm Doing Instead of Inktober

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Time is the school in which we learn, time is the fire in which we burn.
-
Delmore Schwartz

So October is almost over, and this particular October has been quite different from my Octobers of the last 5 years (in more ways than one, but I’ll leave out the “2020 ffs” jokes because, well, you’ve probably heard them all by now.)

My usual mode for the month of October is very outward-facing, with me engaging in a 31-day prompt-driven art challenge by the name of Inktober. This means a general materials theme (ink, watercolors, iPad,) a rigorous daily deadline and some drawing prompts (example on the right.) I know: it’s the very definition of silly and unnecessary, but man, is it fun.

here’S A GALLERY OF the drawings I did For Inktober 2018, in sequence:

(You’ll notice there’s 32 drawings here, rather than 31. I did an extra at the end as a kind of victory lap. Also, I broke my leg and was bedridden for much of that month, which may have contributed to the success.)

Your mileage may vary, but for me, Inktober has been such a useful exercise to indulge in as an artist. It’s allowed me to test my visual problem-solving skills daily in a structured manner; one that is loose enough to play around with. It’s helped me practice working towards a deadline (Lord knows you can’t practice this enough.) And, as a bonus: it’s allowed me to connect with so many other artists online who are into this kind of…let’s call it “creative masochism. “

They’re still doing it this October—if not Inktober, then one of the many splintered variants like Drawtober or Witchtober. As a side note, maybe because of the recent controversy, I feel like there are even more Inktober variants now than in past years. I even made a comic about it last week (emulating the legendary Floyd Gottfredson of “Mickey Mouse” fame):

From Page 1 of “NoBoy and the Inside Ocean of Why”

From Page 1 of “NoBoy and the Inside Ocean of Why”

All of this to say that I haven’t participated in any art challenge this October, because I wanted to use the time to focus on my comics work.

Doing a single illustration a day has its challenges, but for me at least, it’s nowhere near the level of effort required to tell a coherent, cohesive sequential narrative. And in past years, I’m afraid I’ve been guilty of indulging in the former in order to avoid doing the latter.

SO: what have I done so far this month?

Well, I just finished that five-page comic that’s been on my desk all year. It’s called “NoBoy and the Inside Ocean of Why” and I’m so excited for people to read it.

It’s one of the few comics I’ve managed to create completely on the iPad, which makes it a good candidate to do a process video on. Soon!

Some of the X-folk I drew for my 2019 Inktober challenge. 💖⚔

Some of the X-folk I drew for my 2019 Inktober challenge. 💖⚔

I also did a trio of short comics for Instagram, one of which I just showed up top. You can read the other two HERE and HERE. I have a couple more lined up. These are fun little low-pressure strips to get the flow going on the heavier projects.

Speaking of which, that 200-page graphic novel (let’s call it PROJECT BROKEN TICKER) has really picked up steam again this month. Dedicating a solid chunk of time to this every day has done wonders for my comics. I should be done with roughs through page 132 by the end of the year, which should round out Act 2 and set me up for the big multi-climax conclusion.

I also have this super awesome 6-page coming with another writer that I’m calling PROJECT VIRTUE. As someone who’s been writing drawing my own comics forever, it’s a joy to just focus on visuals without the pressure of being the writer. It’s a different mindset to get into but a useful one. Moore on that in a few weeks!

So yeah, no Inktober for me this year. I still get a little jealous when I boot up Instagram and see all the gorgeous work everyone’s making, but after 5 years of doing it to varying degrees of success, it’s nice to step back and just focus on my comics work for the month.

Next year though—oh man, I really want to do another X-men fan art series. I’ve been thoroughly enjoying Hickman and co.’s X of Swords event lately. I want to draw all the Arakki and sword-wielding mutants. Oh well. Another time!

Hope you’re all having a lovely month. Talk soon.